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	<title>DSLR Cinema and Video Journalism</title>
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	<link>http://kurtlancaster.com</link>
	<description>Tools for Cinematic and Documentary Storytelling by Kurt Lancaster</description>
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		<title>Dog Day DSLR Afternoon</title>
		<link>http://kurtlancaster.com/21/02/2012/dog-day-dslr-afternoon/</link>
		<comments>http://kurtlancaster.com/21/02/2012/dog-day-dslr-afternoon/#comments</comments>
		<pubDate>Tue, 21 Feb 2012 04:27:01 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[DSLR Cinema]]></category>
		<category><![CDATA[HDSLR]]></category>
		<category><![CDATA[kurt lancaster]]></category>
		<category><![CDATA[Thierry Dauga]]></category>
		<category><![CDATA[Thierry Dauga Image]]></category>

		<guid isPermaLink="false">http://kurtlancaster.com/?p=1438</guid>
		<description><![CDATA[Thierry Dauga&#8216;s dog, Poupou, steals the show in this charming DSLR short covering the life in the day of a Canadian dog. Thierry mentions how his eight year old dog is becoming more calm as he gets older, but he didn&#8217;t slow down for his new acting career.  Poupou is a runner, but some shots [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Using CineStyle for “Grand Canyon Winter” with the Canon 5D Mark II</title>
		<link>http://kurtlancaster.com/22/01/2012/using-cinestyle-for-grand-canyon-winter-with-the-canon-5d-mark-ii/</link>
		<comments>http://kurtlancaster.com/22/01/2012/using-cinestyle-for-grand-canyon-winter-with-the-canon-5d-mark-ii/#comments</comments>
		<pubDate>Sun, 22 Jan 2012 21:05:04 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[cinestyle]]></category>
		<category><![CDATA[Final Cut X]]></category>
		<category><![CDATA[HDSLR]]></category>
		<category><![CDATA[kurt lancaster]]></category>

		<guid isPermaLink="false">http://kurtlancaster.com/?p=1348</guid>
		<description><![CDATA[Shooting in the winter with a DSLR can be a bit tricky due to the high chance of getting blow-out in the exposure. DSLRs—although great in low light situations—are notorious for easily blowing out the highlights. Hollywood cinematographer Shane Hurlbut, ASC, says that you need to treat the exposure range as if you were shooting [...]]]></description>
		<wfw:commentRss>http://kurtlancaster.com/22/01/2012/using-cinestyle-for-grand-canyon-winter-with-the-canon-5d-mark-ii/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Run and Gun DSLR Work at Occupy Wall Street</title>
		<link>http://kurtlancaster.com/20/10/2011/run-and-gun-dslr-work-at-occupy-wall-street/</link>
		<comments>http://kurtlancaster.com/20/10/2011/run-and-gun-dslr-work-at-occupy-wall-street/#comments</comments>
		<pubDate>Thu, 20 Oct 2011 17:26:51 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Equipment]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[5D Mark II]]></category>
		<category><![CDATA[camera balun]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[kurt lancaster]]></category>
		<category><![CDATA[Occupy Wall Street]]></category>
		<category><![CDATA[run and gun]]></category>

		<guid isPermaLink="false">http://kurtlancaster.com/?p=1119</guid>
		<description><![CDATA[When shooting on the run, it&#8217;s important to travel light. Spending a weekend in New York City to see Robert Wilson&#8217;s production of Brecht&#8217;s The Threepenny Opera at the Brooklyn Academy of Music and Danfung Dennis&#8217;s 5D Mark II documentary, Hell and Back Again at the Film Forum, I squeezed in some time to shoot [...]]]></description>
		<wfw:commentRss>http://kurtlancaster.com/20/10/2011/run-and-gun-dslr-work-at-occupy-wall-street/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>How to overcome audio weaknesses of DSLRs by Wes Pope</title>
		<link>http://kurtlancaster.com/11/10/2011/how-to-overcome-audio-weaknesses-of-dslrs-by-wes-pope/</link>
		<comments>http://kurtlancaster.com/11/10/2011/how-to-overcome-audio-weaknesses-of-dslrs-by-wes-pope/#comments</comments>
		<pubDate>Tue, 11 Oct 2011 21:09:22 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[DSLR audio]]></category>
		<category><![CDATA[Wes Pope]]></category>

		<guid isPermaLink="false">http://www.kurtlancaster.com/dslr-cinema/?p=1036</guid>
		<description><![CDATA[There are three major weaknesses to recording audio directly into any Canon or Nikon DSLR camera: there is no way to see levels while recording, you cannot listen on headphones, and there is no good pre-amp or phantom power (to power a microphone) built into the camera. It is my guess that all of these [...]]]></description>
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		<slash:comments>13</slash:comments>
		</item>
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		<title>Final Cut Pro X Tutorial: Syncing Audio</title>
		<link>http://kurtlancaster.com/07/07/2011/final-cut-pro-x-tutorial-syncing-audio/</link>
		<comments>http://kurtlancaster.com/07/07/2011/final-cut-pro-x-tutorial-syncing-audio/#comments</comments>
		<pubDate>Thu, 07 Jul 2011 19:15:21 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[Final Cut X]]></category>
		<category><![CDATA[kurt lancaster]]></category>
		<category><![CDATA[sync]]></category>
		<category><![CDATA[syncing audio]]></category>

		<guid isPermaLink="false">http://www.kurtlancaster.com/dslr-cinema/?p=906</guid>
		<description><![CDATA[&#160; Most DSLR shooters are already aware of PluralEyes and DualEyes. But the new version of Final Cut X will also sync external audio recorders with DSLR audio files. This lesson shows you how. Frankly, I’ve never been able to get my version of PluralEyes to work successfully. As more users try this new feature in [...]]]></description>
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		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>Final Cut X: Preparing files and backing up projects</title>
		<link>http://kurtlancaster.com/07/07/2011/final-cut-x-preparing-files-and-backing-up-projects/</link>
		<comments>http://kurtlancaster.com/07/07/2011/final-cut-x-preparing-files-and-backing-up-projects/#comments</comments>
		<pubDate>Thu, 07 Jul 2011 19:08:57 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Final Cut X]]></category>
		<category><![CDATA[kurt lancaster]]></category>

		<guid isPermaLink="false">http://www.kurtlancaster.com/dslr-cinema/?p=914</guid>
		<description><![CDATA[Preparing files and starting a project Without any pre-rendering, I can import my DLSR footage and start editing right away. You can edit the raw H.264 files from DSLR fine, without pre-rendering. And: Not more decompressing slowing down my workflow! &#160; Reports, however, say that for best — an perhaps quicker — response time, it’s recommended [...]]]></description>
		<wfw:commentRss>http://kurtlancaster.com/07/07/2011/final-cut-x-preparing-files-and-backing-up-projects/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Final Cut Pro X a dream for DSLR filmmakers</title>
		<link>http://kurtlancaster.com/24/06/2011/final-cut-pro-x-a-dream-for-dslr-filmmakers/</link>
		<comments>http://kurtlancaster.com/24/06/2011/final-cut-pro-x-a-dream-for-dslr-filmmakers/#comments</comments>
		<pubDate>Fri, 24 Jun 2011 17:05:34 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Final Cut X]]></category>
		<category><![CDATA[kurt lancaster]]></category>

		<guid isPermaLink="false">http://www.kurtlancaster.com/dslr-cinema/?p=901</guid>
		<description><![CDATA[I was at the April 12, 2011 FCPUG meeting in Las Vegas and from what I saw, I couldn’t wait to get Final Cut Pro X. And yesterday morning when I saw a Tweet that Apple had released it on its App store, I purchased it right away, testing it out with Canon 5D Mark [...]]]></description>
		<wfw:commentRss>http://kurtlancaster.com/24/06/2011/final-cut-pro-x-a-dream-for-dslr-filmmakers/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Final Cut Pro X – negative reviewers failed to clue in</title>
		<link>http://kurtlancaster.com/23/06/2011/final-cut-pro-x-%e2%80%93-negative-reviewers-failed-to-clue-in/</link>
		<comments>http://kurtlancaster.com/23/06/2011/final-cut-pro-x-%e2%80%93-negative-reviewers-failed-to-clue-in/#comments</comments>
		<pubDate>Thu, 23 Jun 2011 17:30:59 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Final Cut X]]></category>
		<category><![CDATA[kurt lancaster]]></category>

		<guid isPermaLink="false">http://www.kurtlancaster.com/dslr-cinema/?p=879</guid>
		<description><![CDATA[Reading some of the negative reviews and articles on the new release of Final Cut X makes me wonder why people don&#8217;t research before they purchase. &#160; Most of the negative reviewers out there &#8212; especially comments from Apple’s App store &#8212; failed to do their research. They’re surprised about such lack of features as [...]]]></description>
		<wfw:commentRss>http://kurtlancaster.com/23/06/2011/final-cut-pro-x-%e2%80%93-negative-reviewers-failed-to-clue-in/feed/</wfw:commentRss>
		<slash:comments>21</slash:comments>
		</item>
		<item>
		<title>The $100, 3-point light kit</title>
		<link>http://kurtlancaster.com/19/06/2011/the-100-3-point-light-kit/</link>
		<comments>http://kurtlancaster.com/19/06/2011/the-100-3-point-light-kit/#comments</comments>
		<pubDate>Sun, 19 Jun 2011 23:49:55 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Equipment]]></category>

		<guid isPermaLink="false">http://www.kurtlancaster.com/dslr-cinema/?p=823</guid>
		<description><![CDATA[DSLRs are known for low-light capability and many shooters have been able to get some nice shots with natural lighting setups &#8212; especially in documentary work. But sometimes you need some lights to make the scene shine with cinematography power. But if you&#8217;re on a super low-budget framework, or you&#8217;re a student trying to build [...]]]></description>
		<wfw:commentRss>http://kurtlancaster.com/19/06/2011/the-100-3-point-light-kit/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>The Psychology of the Lens: Patrick Moreau creates filmic intimacy with DSLRs</title>
		<link>http://kurtlancaster.com/09/06/2011/the-psychology-of-the-lens-patrick-moreau-creates-filmic-intimacy-with-dslrs-at-stillmotion/</link>
		<comments>http://kurtlancaster.com/09/06/2011/the-psychology-of-the-lens-patrick-moreau-creates-filmic-intimacy-with-dslrs-at-stillmotion/#comments</comments>
		<pubDate>Thu, 09 Jun 2011 17:48:17 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[5D]]></category>
		<category><![CDATA[Calloway]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[golfers]]></category>
		<category><![CDATA[HDSLR]]></category>
		<category><![CDATA[kurt lancaster]]></category>
		<category><![CDATA[NFL]]></category>
		<category><![CDATA[Patrick]]></category>
		<category><![CDATA[Patrick Moreau]]></category>
		<category><![CDATA[psychology]]></category>

		<guid isPermaLink="false">http://www.kurtlancaster.com/dslr-cinema/?p=757</guid>
		<description><![CDATA[Patrick Moreau of Stillmotion in Toronto and San Francisco (http://www.stillmotion.ca/) shapes such strong intimate images at weddings, that the NFL hired him to shoot “The Season: Super Bowl XLV” (http://www.nfl.com/videos/nfl-the-season/09000d5d81e3bdb3/The-Season-Super-Bowl-XLV) and Callaway hired him to create intimate profiles of Callaway golfers. (http://www.callawaygolf.com/Global/en-US/articles/2011/thewinnersvideos.html) &#160; With a background in psychology, Moreau engages “psychology to tell stories” in [...]]]></description>
		<wfw:commentRss>http://kurtlancaster.com/09/06/2011/the-psychology-of-the-lens-patrick-moreau-creates-filmic-intimacy-with-dslrs-at-stillmotion/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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