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	<title>DSLR Cinema and Video Journalism</title>
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	<link>http://kurtlancaster.com</link>
	<description>Tools for Cinematic and Documentary Storytelling by Kurt Lancaster</description>
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		<title>Behind the scenes at Digital Bolex in Toronto, Canada</title>
		<link>http://kurtlancaster.com/08/03/2013/behind-the-scenes-at-digital-bolex-in-toronto-canada/</link>
		<comments>http://kurtlancaster.com/08/03/2013/behind-the-scenes-at-digital-bolex-in-toronto-canada/#comments</comments>
		<pubDate>Fri, 08 Mar 2013 22:37:08 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://kurtlancaster.com/?p=1734</guid>
		<description><![CDATA[The d16 Digital Bolex. Image courtesy of Digital Bolex. I want one When I first heard about the Digital Bolex camera last year, and its capability to shoot raw video (using Adobe&#8217;s open source CinemaDNG format), on a blog post by Philip Bloom, I went to Kickstarter to back the $2500 camera, but they were sold out. [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Interview with Ikonoskop &#8212; shooting 16mm RAW with the A-Cam dII in Stockholm</title>
		<link>http://kurtlancaster.com/04/10/2012/interview-with-ikonoskop-shooting-16mm-raw-with-the-a-cam-dii-in-stockholm/</link>
		<comments>http://kurtlancaster.com/04/10/2012/interview-with-ikonoskop-shooting-16mm-raw-with-the-a-cam-dii-in-stockholm/#comments</comments>
		<pubDate>Thu, 04 Oct 2012 18:14:31 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://kurtlancaster.com/?p=1632</guid>
		<description><![CDATA[Kurt Lancaster is working on a new book for Focal Press dealing with the new 16mm RAW cinema cameras coming out. Cinema RAW is the holy grail of low-budget filmmakers. With the popular release of Black Magic Design&#8217;s Cinema Camera, along with Philip Bloom&#8217;s review of it rising to the all-time number one post of his [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Lara Logan&#8217;s 60 Minutes news style vs Tyler Stableford&#8217;s poetic style: What journalists can learn from a mountain climbing case-study in editing</title>
		<link>http://kurtlancaster.com/29/05/2012/lara-logans-60-minutes-news-style-vs-tyler-stablefords-documentary-style-a-mountain-climbing-case-study-in-editing/</link>
		<comments>http://kurtlancaster.com/29/05/2012/lara-logans-60-minutes-news-style-vs-tyler-stablefords-documentary-style-a-mountain-climbing-case-study-in-editing/#comments</comments>
		<pubDate>Tue, 29 May 2012 17:14:39 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[60 Minutes]]></category>
		<category><![CDATA[Alex Honnold]]></category>
		<category><![CDATA[ice climbing]]></category>
		<category><![CDATA[kurt lancaster]]></category>
		<category><![CDATA[Lara Logan]]></category>
		<category><![CDATA[mountain climbing]]></category>
		<category><![CDATA[rock climbing]]></category>
		<category><![CDATA[Steve House]]></category>
		<category><![CDATA[Tyler Stableford]]></category>

		<guid isPermaLink="false">http://kurtlancaster.com/?p=1477</guid>
		<description><![CDATA[There&#8217;s no denying the success of CBS&#8217;s 60 Minutes. It&#8217;s the quintessential news magazine show that many of us aspire to attain in our own video journalism work. And when I first saw Lara Logan&#8217;s &#8220;The ascent of Alex Honnold&#8221; (13:19), a story about Alex&#8217;s insane free solo climbs, I was captivated. In Logan&#8217;s words: &#8220;He [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Dog Day DSLR Afternoon</title>
		<link>http://kurtlancaster.com/21/02/2012/dog-day-dslr-afternoon/</link>
		<comments>http://kurtlancaster.com/21/02/2012/dog-day-dslr-afternoon/#comments</comments>
		<pubDate>Tue, 21 Feb 2012 04:27:01 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[DSLR Cinema]]></category>
		<category><![CDATA[HDSLR]]></category>
		<category><![CDATA[kurt lancaster]]></category>
		<category><![CDATA[Thierry Dauga]]></category>
		<category><![CDATA[Thierry Dauga Image]]></category>

		<guid isPermaLink="false">http://kurtlancaster.com/?p=1438</guid>
		<description><![CDATA[Thierry Dauga&#8216;s dog, Poupou, steals the show in this charming DSLR short covering the life in the day of a Canadian dog. Thierry mentions how his eight year old dog is becoming more calm as he gets older, but he didn&#8217;t slow down for his new acting career.  Poupou is a runner, but some shots [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Using CineStyle for “Grand Canyon Winter” with the Canon 5D Mark II</title>
		<link>http://kurtlancaster.com/22/01/2012/using-cinestyle-for-grand-canyon-winter-with-the-canon-5d-mark-ii/</link>
		<comments>http://kurtlancaster.com/22/01/2012/using-cinestyle-for-grand-canyon-winter-with-the-canon-5d-mark-ii/#comments</comments>
		<pubDate>Sun, 22 Jan 2012 21:05:04 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[cinestyle]]></category>
		<category><![CDATA[Final Cut X]]></category>
		<category><![CDATA[HDSLR]]></category>
		<category><![CDATA[kurt lancaster]]></category>

		<guid isPermaLink="false">http://kurtlancaster.com/?p=1348</guid>
		<description><![CDATA[Shooting in the winter with a DSLR can be a bit tricky due to the high chance of getting blow-out in the exposure. DSLRs—although great in low light situations—are notorious for easily blowing out the highlights. Hollywood cinematographer Shane Hurlbut, ASC, says that you need to treat the exposure range as if you were shooting [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<item>
		<title>Run and Gun DSLR Work at Occupy Wall Street</title>
		<link>http://kurtlancaster.com/20/10/2011/run-and-gun-dslr-work-at-occupy-wall-street/</link>
		<comments>http://kurtlancaster.com/20/10/2011/run-and-gun-dslr-work-at-occupy-wall-street/#comments</comments>
		<pubDate>Thu, 20 Oct 2011 17:26:51 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Equipment]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[5D Mark II]]></category>
		<category><![CDATA[camera balun]]></category>
		<category><![CDATA[DSLR]]></category>
		<category><![CDATA[kurt lancaster]]></category>
		<category><![CDATA[Occupy Wall Street]]></category>
		<category><![CDATA[run and gun]]></category>

		<guid isPermaLink="false">http://kurtlancaster.com/?p=1119</guid>
		<description><![CDATA[When shooting on the run, it&#8217;s important to travel light. Spending a weekend in New York City to see Robert Wilson&#8217;s production of Brecht&#8217;s The Threepenny Opera at the Brooklyn Academy of Music and Danfung Dennis&#8217;s 5D Mark II documentary, Hell and Back Again at the Film Forum, I squeezed in some time to shoot [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>How to overcome audio weaknesses of DSLRs by Wes Pope</title>
		<link>http://kurtlancaster.com/11/10/2011/how-to-overcome-audio-weaknesses-of-dslrs-by-wes-pope/</link>
		<comments>http://kurtlancaster.com/11/10/2011/how-to-overcome-audio-weaknesses-of-dslrs-by-wes-pope/#comments</comments>
		<pubDate>Tue, 11 Oct 2011 21:09:22 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[DSLR audio]]></category>
		<category><![CDATA[Wes Pope]]></category>

		<guid isPermaLink="false">http://www.kurtlancaster.com/dslr-cinema/?p=1036</guid>
		<description><![CDATA[There are three major weaknesses to recording audio directly into any Canon or Nikon DSLR camera: there is no way to see levels while recording, you cannot listen on headphones, and there is no good pre-amp or phantom power (to power a microphone) built into the camera. It is my guess that all of these [...]]]></description>
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		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>Final Cut Pro X Tutorial: Syncing Audio</title>
		<link>http://kurtlancaster.com/07/07/2011/final-cut-pro-x-tutorial-syncing-audio/</link>
		<comments>http://kurtlancaster.com/07/07/2011/final-cut-pro-x-tutorial-syncing-audio/#comments</comments>
		<pubDate>Thu, 07 Jul 2011 19:15:21 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[Final Cut X]]></category>
		<category><![CDATA[kurt lancaster]]></category>
		<category><![CDATA[sync]]></category>
		<category><![CDATA[syncing audio]]></category>

		<guid isPermaLink="false">http://www.kurtlancaster.com/dslr-cinema/?p=906</guid>
		<description><![CDATA[&#160; Most DSLR shooters are already aware of PluralEyes and DualEyes. But the new version of Final Cut X will also sync external audio recorders with DSLR audio files. This lesson shows you how. Frankly, I’ve never been able to get my version of PluralEyes to work successfully. As more users try this new feature in [...]]]></description>
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		<slash:comments>11</slash:comments>
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		<title>Final Cut X: Preparing files and backing up projects</title>
		<link>http://kurtlancaster.com/07/07/2011/final-cut-x-preparing-files-and-backing-up-projects/</link>
		<comments>http://kurtlancaster.com/07/07/2011/final-cut-x-preparing-files-and-backing-up-projects/#comments</comments>
		<pubDate>Thu, 07 Jul 2011 19:08:57 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Final Cut X]]></category>
		<category><![CDATA[kurt lancaster]]></category>

		<guid isPermaLink="false">http://www.kurtlancaster.com/dslr-cinema/?p=914</guid>
		<description><![CDATA[Preparing files and starting a project Without any pre-rendering, I can import my DLSR footage and start editing right away. You can edit the raw H.264 files from DSLR fine, without pre-rendering. And: Not more decompressing slowing down my workflow! &#160; Reports, however, say that for best — an perhaps quicker — response time, it’s recommended [...]]]></description>
		<wfw:commentRss>http://kurtlancaster.com/07/07/2011/final-cut-x-preparing-files-and-backing-up-projects/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Final Cut Pro X a dream for DSLR filmmakers</title>
		<link>http://kurtlancaster.com/24/06/2011/final-cut-pro-x-a-dream-for-dslr-filmmakers/</link>
		<comments>http://kurtlancaster.com/24/06/2011/final-cut-pro-x-a-dream-for-dslr-filmmakers/#comments</comments>
		<pubDate>Fri, 24 Jun 2011 17:05:34 +0000</pubDate>
		<dc:creator>Kurt Lancaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Final Cut X]]></category>
		<category><![CDATA[kurt lancaster]]></category>

		<guid isPermaLink="false">http://www.kurtlancaster.com/dslr-cinema/?p=901</guid>
		<description><![CDATA[I was at the April 12, 2011 FCPUG meeting in Las Vegas and from what I saw, I couldn’t wait to get Final Cut Pro X. And yesterday morning when I saw a Tweet that Apple had released it on its App store, I purchased it right away, testing it out with Canon 5D Mark [...]]]></description>
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		<slash:comments>1</slash:comments>
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